I'll never forget the wedding where I was photographing the bride's first look with her dad, capturing those tears and that tight embrace. Meanwhile, our second shooter was across the venue documenting the groom wiping his own tears as he watched on a video monitor his groomsmen had set up. Neither of us could've gotten both shots alone. That's when I became a true believer in two-camera coverage.
But here's the thing: not every wedding needs a second shooter. I've shot hundreds of weddings over my career, and I've seen second shooters add incredible value at some events while being borderline unnecessary at others. The difference usually comes down to a few key factors that most couples don't think about until it's too late.
This guide is going to break down everything you need to know about second shooter wedding photography. We'll cover when dual coverage actually makes a difference, what second shooters are really doing all day, how much you should expect to pay, and the questions you should be asking your photographer before you commit to that extra line item on your photography invoice.
From the Field
"After 400+ weddings, I can tell you that some of my clients' most treasured images came from second shooter coverage. But I've also had couples spend $1,000+ on a second shooter they didn't really need. Knowledge is your best investment here." - Professional Wedding Photographer, 12 years
What Is a Second Shooter? (And What They're NOT)
Let's clear this up right away because I see confusion about this constantly. A second shooter isn't just "another person with a camera." They're a fully equipped, professionally trained photographer who works alongside your lead photographer to capture your wedding from multiple angles and perspectives simultaneously.
Here's what that actually means in practice. When your lead photographer is at the front of the aisle capturing your exchanging vows, your second shooter is positioned halfway back, getting the wider shot that shows all your guests, your venue's architecture, and the overall scene. Or they're focused on your parents' faces, catching those tears before anyone can wipe them away.
A true second shooter comes with their own professional camera bodies (usually two, because backups matter), their own lenses, their own creative eye, and their own insurance. They're not borrowing your lead's gear. They're not learning on the job. They've shot weddings before, they know how to anticipate moments, and they understand how to complement rather than compete with your lead photographer.
What a Second Shooter is NOT
Not Just a Helper With a Camera
I've seen couples assume the "second photographer" mentioned in their package is basically a family member who got handed a DSLR. Real second shooters operate independently, making their own creative decisions about composition, timing, and positioning throughout the day.
Not Your Lead's Assistant
While there's sometimes overlap, second shooters and assistants serve different functions. Assistants hold reflectors, carry gear, wrangle family members, and handle logistics. Second shooters are shooting, not assisting. Some teams have both, and that's ideal for complex weddings.
Not a Backup In Case the Lead Fails
Sure, having two photographers provides redundancy, but that's a side benefit, not the main purpose. Your second shooter is there to capture different perspectives, not to serve as an insurance policy against your lead dropping the ball.
Not a Student or Apprentice
Some photographers use "second shooting" as a learning opportunity for newer photographers. That's fine if everyone's transparent about it, but you should know whether you're getting a seasoned professional or someone gaining experience. Ask directly.
A Story That Illustrates the Difference
A couple years ago, I was second shooting for a lead photographer at a large Indian wedding. The Baraat procession was happening, which meant the groom was making his grand entrance with music, dancing, and about 200 of his closest family and friends surrounding him.
The lead was embedded in the procession, capturing the energy, the groom's expressions, the family dancing alongside him. I was positioned on a second-floor balcony with a 70-200mm lens, getting the bird's eye view that showed the scale of the celebration, the street filled with people, the bride's family watching from the entrance.
Neither position was "better." Both were necessary. The lead's shots showed intimacy and emotion. My shots showed context and scale. Together, they told the complete story. That's what a real second shooter brings.
SECOND SHOOTER ESSENTIALS
What They Should Bring
Camera Bodies (2 minimum)
Professional-grade cameras with backup. One body failure shouldn't end their coverage.
Lens Selection
Wide-angle (24-35mm), standard zoom (24-70mm), and telephoto (70-200mm) at minimum.
Flash Equipment
On-camera flash for reception, with knowledge of how to use it well in low light.
Memory Cards & Batteries
Enough to shoot an entire wedding with spares. Professional second shooters don't run out of anything.
Liability Insurance
Their own policy, not relying solely on the lead's coverage.
Do You Actually Need a Second Shooter?
Here's where I'm going to save some of you money and convince others to spend a little more. The honest answer is: it depends. And I know that's frustrating, but let me break down the actual factors that determine whether second shooter coverage is worth it for your specific wedding.
You Probably Need a Second Shooter If...
- Guest count exceeds 150. More people means more moments happening simultaneously. One photographer physically cannot be everywhere.
- You're both getting ready simultaneously. If bridal prep and groom prep are happening at the same time and you want both documented, you need two photographers.
- Multiple ceremony or reception locations. Separate venues mean someone needs to scout the next location while the other stays for ongoing coverage.
- Large wedding party. More than 8-10 in the wedding party means more people to capture during getting ready and formals.
- Multi-day or cultural wedding. Indian, Jewish, or other traditional celebrations often have concurrent events that require dual coverage.
- You want ceremony reactions captured. If seeing your partner's face during your walk down the aisle matters, you need someone at the altar and someone in the back.
You Can Probably Skip the Second Shooter If...
- Intimate wedding under 75 guests. A skilled solo photographer can cover a smaller wedding comprehensively, especially with a well-planned timeline.
- Single venue for everything. When ceremony, portraits, and reception all happen in one location, logistics are simpler.
- Staggered getting-ready times. If one of you gets ready earlier, the same photographer can capture both preparation sessions.
- Tight budget with other priorities. If you're choosing between a second shooter and something else meaningful to you, one great photographer often beats two average ones.
- Shorter coverage window. For 4-6 hour coverage of ceremony and reception only, one photographer usually suffices.
- Your photographer has a proven solo track record. Some photographers are so skilled at anticipating and covering weddings solo that adding another shooter provides marginal value.
Real Talk
Here's what I tell couples during consultations: picture your ceremony. Now imagine me at the end of the aisle capturing your vows. Who's getting your partner's reaction? Who's documenting your mom's tears in the third row? If those images matter to you, you need a second shooter. If you're okay with me doing my best to capture the key moments from one position, you might be fine without one. Neither answer is wrong.
The Real Benefits of Dual Photographer Coverage
Let me paint you some specific scenarios where having two photographers made all the difference. These aren't hypotheticals; they're moments from real weddings where I've been either lead or second, and where the dual coverage literally saved the day.
The Simultaneous Tears Moment
Sarah and Michael's wedding at a historic estate in Virginia. The ceremony was outdoors, overlooking rolling hills. I was positioned near the officiant, focused on the couple. My second shooter was about 30 feet back, with a clear view of both sets of parents.
During the vows, Michael started crying. I captured it beautifully. What I didn't see was that both fathers, sitting on opposite sides of the aisle, had also started crying at exactly the same moment while looking at each other. My second shooter got that shot: two grown men, on opposite sides of the aisle, sharing a moment of emotion that neither knew the other was having.
Sarah told me later that image became one of her most treasured photos from the entire wedding. I never would've gotten it alone.
The First Look Backup Save
At a destination wedding in Colorado, we'd planned a first look at a scenic overlook about 15 minutes from the venue. The couple wanted it private, just them and me (as lead) and my second shooter.
What we didn't know was that a bear had been spotted in the area that morning, and park rangers had temporarily closed the road we needed. We had to quickly relocate to an alternate spot that I'd scouted the day before.
Because my second shooter was there, she raced ahead to set up the new location while I kept the couple calm and documented their drive over. We lost maybe 10 minutes total and still got incredible first look photos. If I'd been solo, we would've been scrambling and the pressure would've shown in the images.
The Reception Angle That Changed Everything
Marcus and David's wedding reception was in a beautiful converted warehouse with exposed brick and industrial lighting. During the first dance, I was at floor level capturing them closely, with shallow depth of field, really intimate stuff.
My second shooter had climbed to a mezzanine level and was shooting down at a 45-degree angle. From that vantage point, she caught the moment when all 200 guests simultaneously raised their phones to record, creating this sea of glowing rectangles surrounding the couple in a heart shape that the venue's floor plan naturally created.
That aerial shot became the hero image for their thank-you cards. My floor-level shots were beautiful, but that overhead perspective told a completely different story about the scale of love in that room.
Beyond Stories: The Practical Benefits
Multiple Angles of Key Moments
Every important moment, from the ceremony kiss to the cake cutting, gets captured from at least two perspectives. More options mean better final selections for your album.
Equipment Redundancy
Two complete camera systems mean if one fails (it happens, even to professionals), coverage continues uninterrupted. Your memories aren't dependent on a single piece of technology.
Simultaneous Coverage of Separate Events
Cocktail hour candids while the couple does sunset portraits. Groom prep while bride prep is still happening. Band setup while guest book signing takes place.
Reaction Documentation
One shooter on the main subject, one on the people reacting. This applies to ceremonies, toasts, first dances, parent dances, and any moment where audience reaction matters.
More Comprehensive Guest Coverage
At larger weddings, having two photographers moving through the crowd means more of your guests end up with photos of themselves enjoying your day.
Flexibility in Coverage Strategy
The lead can focus on the "hero" shots while the second handles candids and details. Or they can divide the space and each owns a section. Options increase with a second shooter.
Dual Coverage Excellence
Our White Glove concierge service includes carefully matched second shooters who've trained with our lead photographers. From Washington DC ballroom weddings to destination celebrations, our photography teams deliver cohesive, comprehensive coverage with seamless style consistency across every image.
Second Shooter vs Assistant: The Important Distinction
This is a distinction that trips up a lot of couples, partly because some photographers use the terms interchangeably (they shouldn't), and partly because both roles can be valuable but serve completely different purposes.
| Aspect | Second Shooter | Assistant |
|---|---|---|
| Primary Role | Photographs independently | Supports lead photographer |
| Equipment | Brings own professional camera, lenses, flash | May carry lead's gear, reflectors, light stands |
| Image Delivery | Delivers hundreds of images to lead for editing | May take some photos but not primary deliverable |
| Autonomy | Makes independent creative decisions | Follows lead's direction closely |
| Common Tasks | Capturing alternate angles, reactions, candids | Holding lights, organizing groups, carrying bags |
| Typical Cost | $500-$1,500 | $200-$500 |
| Experience Level | Usually established photographer | Often emerging photographer or student |
When You Might Want Both
At larger, more complex weddings, especially those with 200+ guests, multiple locations, or intricate cultural traditions, the ideal setup is actually: lead photographer + second shooter + assistant. Here's why:
The lead focuses on the couple and key moments without worrying about logistics or lighting setup.
The second shooter captures alternate angles, reactions, and coverage of simultaneous events.
The assistant handles reflectors, wrangles family members for group photos, carries equipment between locations, and manages logistics so both shooters can focus on shooting.
Clarifying Question for Your Photographer
"When you mention a second photographer in your package, are they shooting independently throughout the day, or are they primarily there to assist you?" This simple question will tell you a lot about what you're actually getting. Some photographers include "associates" or "assistants" and call them second shooters. Get specific about the role and deliverables.
What a Second Shooter Should Be Capturing
A good second shooter isn't just duplicating what the lead is doing from a slightly different spot. They're thinking about what the lead CAN'T capture and prioritizing those moments. Here's a breakdown of typical second shooter responsibilities throughout the wedding day.
Getting Ready (If Simultaneously)
When both partners are getting ready at the same time, the second shooter typically covers whichever prep location the lead isn't at. This is often the groom's prep, simply because traditionally more photographic attention goes to bridal prep.
For Groom's Prep:
- - Suit details, cufflinks, watch, shoes
- - Tying the tie (especially if a parent helps)
- - Groomsmen interactions and candids
- - Reading cards or gifts from partner
- - Final moments before leaving for ceremony
Coverage Goal:
Complete documentation of the groom's morning with the same level of detail and emotion as bridal prep, so the final gallery feels balanced and neither partner's experience is minimized.
Ceremony Coverage
This is where second shooter coverage often provides the most value. Ceremonies have multiple focal points happening simultaneously, and guests are all facing one direction.
Second Shooter Priorities:
- - Partner's reaction during the walk down the aisle
- - Parent and guest reactions during vows
- - Wide shots showing venue and guest seating
- - Alternate angles of ring exchange
- - Overhead or balcony shots if available
- - Recessional from the back of the venue
Positioning Strategy:
Typically, if the lead is at the altar end focusing on the couple, the second shooter is positioned mid-aisle or at the back, capturing what's behind the couple.
Good teams swap positions at key moments, choreographed silently through prior planning.
Cocktail Hour & Reception
During cocktail hour, the second shooter often stays with guests while the lead takes the couple for portraits. At the reception, they work the room capturing candids while the lead focuses on key events.
Cocktail Hour:
- - Guest interactions and candid conversations
- - Detail shots of appetizers and drinks
- - Venue and decor before guests disturb settings
- - Wedding party mingling with guests
Reception Events:
- - Guest reactions during toasts
- - Dance floor candids from alternate angles
- - Crowd shots during first dance
- - Roving coverage of tables and guests
- - Band/DJ and entertainment moments
How Lead and Second Photographers Communicate
The difference between a well-coordinated photography team and two people just happening to be at the same wedding often comes down to communication. Here's how professional teams stay in sync throughout the day.
Before the Wedding Day
Pre-Wedding Meeting
Professional teams meet beforehand, either in person or via video call, to discuss the timeline, shot priorities, positioning strategy for key moments, and any special requests from the couple.
Shot List Review
The lead shares any specific shots the couple has requested, and they divide responsibility. The second shooter might own all "reaction" shots, for example, while the lead handles posed portraits.
Timeline Walkthrough
Going through the day hour by hour, determining where each photographer will be positioned and what they're prioritizing at each stage.
During the Wedding Day
Wireless Communication
Many teams use discrete earpieces or walkie-talkies to coordinate in real-time. "Heading to balcony for overhead during first dance." "Got the dad crying, you're clear to stay on the couple."
Non-Verbal Signals
Experienced teams develop shorthand, hand signals or eye contact that communicates "I'm moving" or "I've got this covered" without speaking and drawing attention.
Natural Choreography
After working together multiple times, many teams develop an almost instinctive coordination. The second knows where the lead will be and positions opposite without being told.
Question to Ask Your Photographer
"How do you and your second shooter typically communicate during a wedding? Have you worked together before?" If they've worked together on 20+ weddings, communication is probably seamless. If this is their first wedding together, ask how they plan to coordinate.
How to Evaluate a Second Shooter's Work
Most couples focus entirely on evaluating the lead photographer's portfolio and forget that if you're paying for a second shooter, you should know what you're getting. Here's how to assess second shooter quality.
Ask to See Second Shooter-Specific Work
Don't just look at the lead's portfolio. Ask: "Can you show me images specifically taken by your second shooter at a recent wedding?" If they can't separate the two, that might indicate the second shooter's contribution was minimal or inconsistent with the lead's style.
Better yet, ask to see a gallery where images from both photographers are intermixed. Can you tell which photographer took which shot? If the styles are noticeably different, that could result in a disjointed final gallery for your wedding.
Evaluate Technical Consistency
Look for consistent exposure, focus accuracy, and composition quality across second shooter images. A less experienced second shooter often delivers images that are slightly darker, not as sharply focused, or awkwardly composed compared to the lead's work.
Good Signs:
- - Consistent exposure even in tricky lighting
- - Sharp focus on the intended subject
- - Thoughtful composition, not just "pointing at stuff"
- - Good anticipation of moments
Concerns:
- - Many underexposed or overexposed images
- - Soft focus or focus on wrong subjects
- - Lots of backs of heads or obstructed views
- - Missing key moments the lead didn't capture
Check for Style Cohesion
The second shooter's images should blend seamlessly with the lead's. This doesn't mean they need to shoot identically, but after editing, the gallery should feel unified. If one photographer's images have warm tones and the other's are cool, or one is bright and airy while the other is moody, your gallery will feel disjointed.
Ask how the lead handles editing second shooter images. Do they edit everything themselves in their signature style? Does the second shooter match presets provided by the lead? Or does the second shooter edit their own with instructions to match? The answer affects consistency.
Second Shooter Pricing: What to Expect
Second shooter pricing varies significantly based on your market, the experience level of the shooter, and whether it's billed hourly or as a flat day rate. Here's a realistic breakdown.
Budget Markets
Smaller cities, rural areas, less experienced shooters. May be photographers building their portfolios who work under an established lead.
Typical in: Rural areas, smaller towns, off-peak seasons
Mid-Range Markets
Most common range. Established second shooters with their own portfolios and reliable equipment. Full-day coverage included.
Typical in: Mid-sized cities, suburban areas, DC/Baltimore region
Premium Markets
Major metro areas, highly experienced second shooters, luxury weddings. Often photographers who also lead their own weddings.
Typical in: NYC, LA, Miami, destination weddings
Factors That Affect Second Shooter Pricing
Coverage Duration
Some photographers include second shooters for full-day coverage while others bill by the hour. Clarify whether the quoted rate covers 8 hours, 10 hours, or varies based on your timeline.
Experience Level
A second shooter who also leads their own weddings commands higher rates than someone still building experience. You're paying for reliability, skill, and problem-solving ability.
Travel Requirements
Destination weddings or venues far from the shooter's base may include additional travel fees, lodging costs, or per-mile charges.
Included vs Add-On
Some photographers include second shooter coverage in their base packages. Others treat it as an add-on. Compare total package prices, not just the second shooter line item.
Price Negotiation Reality
Here's honest advice: second shooter pricing usually has some flexibility. It's one of the areas where photographers have more margin to work with. If you're booking a photographer you love but the second shooter add-on stretches your budget, ask if there's a less experienced shooter option at a lower rate, or if they'd consider reducing coverage hours for the second shooter to key portions of the day only.
When It's Okay to Skip the Second Shooter
I'm a photographer, and I'm going to tell you: not everyone needs to pay for second shooter coverage. Here are legitimate scenarios where one skilled photographer is probably sufficient.
Intimate Weddings (Under 50 Guests)
With fewer people, one photographer can genuinely cover everyone and everything. The ceremony is smaller, there are fewer simultaneous moments, and the photographer can move more freely.
Elopements and Micro-Weddings
If it's just the two of you, or you plus immediate family, a second shooter adds minimal value. The photographer's full attention can be on the small group without missing anything.
Single-Location Weddings
When ceremony, cocktails, and reception all happen in one venue without needing to travel, one photographer can manage logistics more easily and doesn't need backup coverage at a second location.
Sequential Getting Ready
If one partner gets ready two hours before the other, your photographer can cover both prep sessions. No need for a second shooter just to be in two places at once when timing allows for one person to do both.
Budget Constraints with Other Priorities
If choosing between a second shooter and extended hours with your lead, or between a second shooter and a better album, think about what matters most to you. Sometimes investing in one excellent photographer beats spreading budget across two.
Your Photographer is Exceptionally Skilled Solo
Some photographers have refined their workflow so effectively that they consistently deliver comprehensive coverage alone. If their solo galleries look complete and you trust their track record, a second shooter may provide marginal additional value.
Guide for Photographers: Working as a Second Shooter
This section is for photographers looking to break into wedding photography or add second shooting income to their business. If you're a couple, feel free to skip ahead, but understanding what makes a good second shooter might help you ask better questions.
Benefits of Second Shooting
Learn Without Full Responsibility
You get real wedding experience with the safety net of an experienced lead. If something goes wrong, it's not entirely on you.
Build Portfolio Ethically
Most leads allow second shooters to use images for their portfolio. You get professional wedding images without the pressure of being the primary photographer.
Network in the Industry
Working with established photographers introduces you to their vendor networks and may lead to referrals when they're booked.
Consistent Income Stream
Second shooting can fill weekends when you don't have your own bookings, providing steady income while building your lead photography business.
Being a Great Second Shooter
Anticipate, Don't Duplicate
Your job isn't to take the same photo as the lead from slightly to the left. Think about what's happening that they can't see, and be there.
Know Your Role
You're supporting the lead's vision, not implementing your own. Match their style, follow their direction, and contribute to their vision of the wedding.
Stay Invisible to Guests
Move quietly, don't draw attention to yourself, and never compete with the lead for the "hero" position at key moments.
Deliver Quickly and Completely
Get your images to the lead within the agreed timeframe. Missing or late files create enormous headaches for their editing workflow.
Typical Second Shooter Rates for Photographers
If you're setting your rates as a second shooter, here's market guidance:
Beginning ($25-$40/hr)
Building experience, fewer than 20 weddings shot. Reliable but still learning.
Established ($40-$60/hr)
Solid portfolio, consistent quality, 20-50+ weddings. Can handle any situation independently.
Premium ($60-$100+/hr)
Also works as a lead, extensive experience. Brings significant value and reliability.
Questions to Ask About Second Shooter Coverage
Before you commit to second shooter coverage (or decide against it), here are the questions you should be asking your photographer.
About the Second Shooter
"Who specifically will be my second shooter?"
Is it always the same person, or do they rotate? Can you meet them beforehand?
"How many weddings have they second shot for you?"
First-time pairing vs. 50-wedding partnership makes a difference in coordination.
"Can I see their independent portfolio?"
Especially if they also shoot weddings as a lead, you can evaluate their skill level.
"What equipment do they bring?"
Confirms they have professional-grade gear and backups.
About Coverage & Logistics
"How do you divide coverage responsibilities?"
Understanding who covers what helps you know if you need the second shooter.
"How many additional images can I expect from the second shooter?"
If the answer is "a few dozen," that's different than "200-300 images."
"Who edits the second shooter's images?"
Confirms style consistency in your final gallery.
"Is the second shooter rate for full-day coverage?"
Clarifies whether you're paying flat-rate or by the hour.
Second Shooter Wedding Photography FAQs
What is a second shooter in wedding photography?
Quick Answer
A second shooter is an additional photographer who works alongside the lead photographer to capture different angles, moments, and perspectives throughout your wedding day.
Unlike an assistant who carries gear and helps with logistics, a second shooter is a fully equipped photographer with their own camera bodies, lenses, and creative vision. They work independently to capture moments the lead photographer physically cannot, like the groom's reaction during the bride's entrance or both getting-ready sessions happening simultaneously.
How much does a second shooter cost for a wedding?
Quick Answer
Expect to pay $500-$1,500 for second shooter coverage, though rates vary by market and experience level.
Most photographers include second shooter fees as an add-on to their base packages. In major markets like DC, New York, or LA, you might pay $800-$1,500. Smaller markets typically range from $500-$1,000. Some luxury photographers automatically include a second shooter in their base pricing. Always clarify whether the quoted rate covers the full day or hourly increments.
Do I really need a second photographer for my wedding?
Quick Answer
It depends on your guest count, venue complexity, and how important comprehensive coverage is to you.
For weddings under 75 guests at a single venue with a straightforward timeline, one skilled photographer can usually capture everything beautifully. But if you have 150+ guests, multiple locations, simultaneous getting-ready sessions you both want documented, or specific shots that require two angles, a second shooter becomes essential rather than optional.
What shots does a second shooter typically capture?
Quick Answer
Ceremony reactions, alternative angles, guest candids, cocktail hour moments, and simultaneous getting-ready coverage.
While the lead photographer focuses on the main action, the second shooter captures what's happening on the periphery: your mom wiping tears during vows, guests laughing during toasts, the groomsmen's reactions during the first look. They also provide backup coverage of key moments from different angles, ensuring you have options.
Should the second shooter match the lead photographer's style?
Quick Answer
Yes, editing consistency matters more than you might think for a cohesive final gallery.
Professional lead photographers typically edit all images themselves, or have their second shooters deliver RAW files that they then process in their signature style. Some second shooters naturally match their lead's aesthetic, while others adapt. Ask your photographer how they handle style consistency between shooters.
Can I hire my own second shooter separately?
Quick Answer
Most photographers prefer to provide their own second shooter for quality control and liability reasons.
While you can technically hire a separate photographer, most leads strongly prefer working with their own vetted second shooters. They've built communication systems, understand each other's working styles, and have established workflows. Bringing in an outside shooter can create confusion, inconsistent results, and insurance complications.
How do lead and second photographers communicate during the wedding?
Quick Answer
Through pre-wedding planning meetings, shot lists, and often real-time radio communication on the wedding day.
Good second shooters don't need much direction once the day starts because they've already gone over the timeline, shot priorities, and coverage strategy during pre-wedding meetings. Many photographer teams use wireless earpieces or walkie-talkies for real-time coordination. Experienced duos often communicate through subtle hand signals and eye contact.
What's the difference between a second shooter and a photography assistant?
Quick Answer
A second shooter photographs independently; an assistant handles gear, lighting, and logistics.
Assistants carry equipment, hold reflectors, wrangle family members for portraits, and manage logistics. They may have a camera but primarily support the lead photographer. Second shooters are fully autonomous photographers who capture their own images throughout the day. Some teams include both: an assistant for logistics and a second shooter for coverage.
Get Expert Wedding Photography Coverage
Whether you need single photographer coverage for an intimate celebration or a full photography team for a grand wedding, Precious Pics Pro provides experienced professionals who understand how to capture your day comprehensively. Our second shooters are vetted professionals who've worked with our lead photographers on dozens of weddings.
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